Definitions

1. Picasso was the main analytic cubist, but Braque was also prominent, having abandoned Fauvism to work with Picasso in developing the Cubist lexicon.
2. Picasso was a great user, user of materials and situations for his art, and user of people for his life.
3. Picasso was a Spanish painter, draughtsman, and sculptor.
4. Picasso was a child prodigy, producing complex artwork at an early age.
5. Picasso, a native of Andalusia, created sets, costumes, and a stage curtain, which evokes the atmosphere of the ballet by means of a typically Spanish scene.

Mistresses

1. Pablo Picasso maintained a number of mistresses in addition to his wife or primary partner.

Cocteau

1. Cocteau and Picasso went to Rome where they met up with Diaghilev.

Twentieth Century

1. In the early years of the twentieth century, Picasso, still a struggling youth, began a long term relationship with Fernande Olivier.
2. In the early years of the twentieth century, Pablo Picasso, still a struggling youth, began a long term relationship with Fernande Olivier.
3. In the early twentieth century, Picasso divided his time between Barcelona and Paris.

Greatest Artist

1. Matisse is regarded, with Picasso, as the greatest artist of the 20th century.
2. Art critics who witter on about Picasso or Hirst being the greatest artist of the 20th Century show how narrow their view of art is.
3. Pablo Picasso, who some believe was the greatest artist of the twentieth century, was a monster.

Roque

1. Roque worked at the Madoura Pottery in Vallauris on the French Riviera, where Picasso made and painted ceramics.
2. Pablo Picasso then secretly married Roque after Gilot had filed for divorce in order to exact his revenge for her leaving him.
3. Roque worked at the Madoura Pottery, where Pablo Picasso made and painted ceramics.

High Society

1. Khokhlova introduced Pablo Picasso to high society, formal dinner parties, and all the social niceties attendant on the life of the rich in 1920s Paris.

Modern Art Movement

1. Matisse is even believed to have accused Picasso of ridiculing the new, modern art movement.

Important Artist

1. Picasso pioneered the modern art movement called Cubism and is widely acknowledged as the most important artist of the 20th century.
2. Pablo Picasso pioneered the modern art movement called Cubism and is widely acknowledged as the most important artist of the 20th century.
3. Pablo Picasso is considered to be, probably, the most important artist of the twentieth century.
4. Pablo Picasso (1881-1973)was a Spanish painter, ceramicist and sculptor who is widely acknowledged to be the most important artist of the 20th century.

Famous

1. The son of a drawing teacher, Picasso was to become more famous than artist ever before, dominating western art in the 20th Century.
2. No artist was ever as famous as Picasso was in his own lifetime, or has been since.
3. The most famous was Pablo Picasso who spent the last 15 years of his life in Mougins.

Mural

1. Shortly after, al though he was not at all certain the mural was complete, Picasso delivered Guernica to the Spanish Pavilion.
2. In 1937 the Spanish government commissioned Picasso to create a mural for Spain's pavilion at an international exposition in Paris.
3. On May 11th, just fifteen days after the bombing, Picasso stretched a canvas for the mural.
4. Picasso resumed contact with the classical tradition and synthesized the 2 styles into his distinct style best represented by his mural - Guernica - (1937).

African Art

1. Picasso was interested in African art, as were many other artists of the time.
2. At first, Picasso rebuked the analogy of his work with African Art.
3. From 1904, Picasso encountered many different art forms, showing great interest in the style of Henri Toulouse and African Art.
4. What paved the way for Picasso to become well known for his technique of cubism, was ancient Iberian sculpture from Spain, which was African art.

Women

1. Picasso depicts a nightmarish scene of men, women, children and animals under bombardment.
2. Uniquely among Pablo Picasso 's women, Gilot left Pablo Picasso in 1953, allegedly because of abusive treatment and infidelities.
3. Picasso was involved with a number of women during his life who were often artistic muses as well as lovers.

Jacqueline

1. Picasso then secretly married Jacqueline after Fran�oise had filed for divorce in order to exact his revenge for her leaving him.
2. Picasso then secretly married Jacqueline after Françoise had filed for divorce in order to exact his revenge for her leaving him.
3. Picasso then secretly married Jacqueline after Francoise had filed for divorce in order to exact his revenge for her leaving him.

Vauvenargues

1. They are both buried in the castle at Vauvenargues, which Picasso purchased in 1958.

Antibes

1. Mythological daydreams of nymphs, satyrs, fauns, and centaurs soon filled his works, as epitomized in La Joie de Vivre (1946; Musee Picasso, Antibes).
2. En 1923, pasó la temporada veraniega en la Costa Azul (Cabo de Antibes) y pintó La flauta de Pan (París, Museo Picasso).

Portrait

1. It is very likely that Picasso originally started painting a portrait of a woman, who appears to possibly be seated, and in an upset or worried mood.
2. Gilot modeled for the portrait at the end of her relationship with Picasso, who had a lifelong obsession with women, Coffey said.
3. When someone commented that Stein did not look like her portrait, Picasso replied, "She will".
4. His portrait of Picasso in 1912 is a significant early Cubist painting done by a painter other than Picasso or Georges Braque.

Modigliani

1. For this event, the walls of the studio were decorated with canvases by Picasso, Matisse, Leger, Modigliani and others.
2. Picasso actually rather liked Modigliani (when he was sober anyways) and respected his art.
3. Modigliani is a costume drama telling of the rivalry between Italian painter and sculptor Amedeo Modigliani and Spanish artist Pablo Picasso.
4. Beside Modigliani, Picasso, Braque and Gris he further encountered various well-known poets and thinkers of his time.

Montmartre

1. He experimented with stone sculpture and moved to Montmartre to be near his friend Pablo Picasso and other noted artists.
2. Derain experimented with stone sculpture and moved to Montmartre to be near his friend Pablo Picasso and other noted artists.

Degas

1. His influence affected such diverse artists as Renoir, Degas, Modigliani, Seurat, and Picasso, in their use of form and line.

Father

1. From the age of seven, Picasso received formal artistic training from his father in figure drawing and oil painting.
2. Picasso was recognized by his father as a child prodigy by the age of 14.
3. When Picasso was 10 years old, his father was transferred to La Coru�a (Galicia) and some years later to Barcelona.

Art Teacher

1. Pablo Ruiz y Picasso was born in Malaga, the son of an art teacher.
2. Picasso arrived in the city in 1894, when his father, an art teacher, had found work teaching in the city art school.
3. He was the first child of Don Jose Ruiz y Blasco, an art teacher, and Maria Picasso y Lopez.

Minotaur

1. With the opening of "Picasso and the Avant-Garde in Paris" at the Philadelphia Museum of Art, the Year of the Minotaur begins.
2. Here Picasso affixed a classical drawing of a Minotaur to a collage of abstracted forms and debris.
3. Minotauromaquia - a stop motion animated short set to Stravinsky's in which Picasso confronts the minotaur and some other painted characters come to life.
4. No artist has returned so often to the theme of the Minotaur as Pablo Picasso.[7] The Minotaur appears in many of his works, particularly in the 1930s.

Photographer

1. The photographer and painter Dora Maar was also a constant companion and lover of Pablo Picasso.

Dora

1. His impressions, homosexuality, and life are just as much the subject as Picasso and Dora.
2. Picasso and Paul Éluard sent Dora to their friend, the psychiatrist Jacques Lacan, who treated her with psychoanalysis.

Death Duties

1. Since Pablo Picasso left no will, his death duties (estate tax) to the French state, were paid in the form of his works and others from his collection.
2. And then we were involved in setting up the Musée Picasso in the Marais, which took care of the death duties.

France

1. Pablo Picasso died on April 8, 1973 in Mougins, France, and was interred at Castle Vauvenargues' park, in Vauvenargues, Bouches-du-Rhône.
2. Cubism began in 1906 with Georges Braque and Pablo Picasso, who lived in the Montmartre quarter of Paris, France.
3. The two key artists who gave life to Cubism were Pablo Picasso from Spain and Georges Braque of France.
4. Some interesting 20th-century tapestries have been woven in France from cartoons by Rouault, Braque, Lurçat, Picasso, and Calder.
5. Picasso moved to the south of France in 1948, settling near Aix in 1958 and in the small town of Mougins in 1961.

Fran

1. After the liberation of Paris in 1944, Pablo Picasso began to keep company with a young art student, Françoise Gilot.
2. After Paris' liberation in 1944, Picasso started a relationship with the 40 years younger, Françoise Gilot, an art student.

Eacute

1. Picasso carried on a long standing affair with Marie Thérèse, and fathered a daughter, Maya, with her.
2. There, with Marie-Thérèse as his muse, Picasso began working on large-scale plaster heads.
3. Marie-Thérèse lived in the vain hope that Pablo Picasso would one day marry her and hanged herself four years after Pablo Picasso 's death.

Mus

1. His private collection, of his own work and that of his friends, has been given to the French State as the Musée Picasso, Paris.

Fight

1. As a Spanish citizen living in France, Picasso was under no compulsion to fight against the invading Germans in either world war.
2. The fight between the two women was left to run its course by Picasso, who transferred it and distilled it into the image we see today.

Spanish Civil War

1. Picasso remained neutral during the Spanish Civil War, World War I and World War II, refusing to fight for any side or country.
2. Although still living in France in the 1930s, Picasso was deeply distraught over the outbreak of the Spanish Civil War in 1936.
3. Pablo Picasso remained neutral during the Spanish Civil War, World War I and World War II, refusing to fight for any side or country.
4. Later Picasso created another masterpiece in 1937 called Guernica, about the German bombing of Guernica during the Spanish Civil War.

Ballet

1. In 1918, Picasso married Olga Khokhlova, a ballerina with Sergei Diaghilev 's troupe, for whom Picasso was designing a ballet, Parade, in Rome.
2. In 1918, Picasso married Olga Khoklova, a ballerina with Sergei Diaghilev 's troupe, for whom Picasso was designing a ballet, Parade, in Rome.
3. From February 19th to April 9th, Cocteau and Picasso join the troupe of the Ballets Russes in Rome to help prepare the ballet.

Olga

1. Picasso had two wives (Olga and Jacqueline) and four children by three women.
2. Olga then left the group, which toured South America, to stay with Picasso at Barcelona.
3. Later Olga returned with Picasso to Paris, where they started to live together in the Rue La Boétie.

Sculpture

1. In his later years, Picasso devoted himself to drawing, printmaking, sculpture and ceramics.
2. Picasso reinvented the art of sculpture with his innovative use of constructing a work in three dimensions with disparate material.
3. Internationally famed for his paintings, sculpture, and graphics, Pablo Picasso (1881-1973) was long intrigued by ceramics.

Figure Drawing

1. It was from his father that Picasso learned the basics of formal academic art training, such as figure drawing and painting in oil.
2. It is from Don José that Picasso learned the basics of formal academic art training - figure drawing, and painting in oil.
3. It is from Don Jos� that Picasso learned the basics of formal academic art training – figure drawing, and painting in oil.

Miro

1. The anarchic spirit of Dada can be seen in the works of Duchamp, Man Ray, Hoch, Miro, and Picasso.
2. Miro himself found inspiration for his art from artists like André Masson, Pablo Picasso, Tristan Tzara and André Breton.
3. Like Pablo Picasso, Henri Matisse, Miro and Marc Chagall, his place at the pinnacle of modern art history is assured.

Chagall

1. Like Picasso, Matisse, Miro and Chagall, his place at the pinnacle of modern art history is assured.
2. Like Chagall, also Picasso worked with the Atelier Mourlot, a renowned art publisher and print workshop in Paris.
3. Pablo Picasso is quoted as having said that “When Matisse dies, Chagall will be the only painter left who understands what color really is”.

Influential Artist

1. The result is THE MYSTERY OF PICASSO, an in valuable look at the most influential artist of the 20th century at work.
2. Because of his many innovations, Picasso is widely considered to be the most influential artist of the 20th century.
3. In 1973, Pablo Picasso, the most influential artist of the 20th century, died at the age of 92.

Influential Artists

1. Fine Art Print by the Picasso, one of the most well loved and influential artists of all time.
2. Picasso is largely considered one of the most influential artists of the twentieth century.
3. George Braque, along with Picasso are the two most influential artists of the twenty first century.

Ruiz

1. His father rented him a small room close to home so Picasso could work alone, yet Ruiz checked up on him numerous times a day, judging his son's drawings.

Synthetic Cubism

1. Synthetic Cubism really identified Picasso as a sentimental intellect in the art world.

Collage

1. Gris and his wife spent the summer of 1913 with Picasso at Ceret, and that year Gris began to use collage consistently in his work.
2. After his experiments in the new medium of collage, Picasso returned more intensively to painting.
3. During both periods of cubism experiments by Picasso and others resulted in several new techniques, including collage and papier collé.

Fauvism

1. Picasso was initially the force and influence that persuaded Braque by 1908 to move away from Fauvism.
2. These pieces would be derided by the critics as "Fauvism," a French word for "wild beasts." Picasso was profoundly influenced by Matisse.
3. He was an influential innovator; Fauvism owed much to his use of colour, and he inspired Pablo Picasso and the development of Cubism.
4. Matisse and Georges Braque, who, unlike Picasso, had been experimenting with Fauvism, immediately started painting female nudes of similar stridency.

Cezanne

1. The line attributed to both Matisse and Picasso that Cezanne "is the father of us all" cannot be easily dismissed.
2. Even after settling in Paris, Rivera returned every year to Spain to paint--often in the style of cubists such as Cezanne, Picasso, El Greco and Modigliani.

Harlequins

1. Picasso used harlequins in many of his early works, especially in his Blue and Rose Periods.
2. The harlequins, paupers, and clowns of Pablo Picasso 's " Blue Period " show the influence of Symbolism, and especially of Puvis de Chavannes.
3. Pablo Picasso used harlequins in many of his early works, especially in his Blue and Rose Periods.
4. Other frequent subjects are artists, acrobats and harlequins, which became a personal symbol for Picasso.

Harlequin

1. Picasso created a number of portraits of her, and their son, Paulo, appears in works such as Paulo as Harlequin (1924, Mus�e Picasso).
2. Picasso used a harlequin in many of his early works, especially in his Blue and Rose Periods.
3. In the figure of the harlequin, Picasso represented his alter ego, a practice he repeated in later works as well.
4. A comedic character usually depicted in checkered patterned clothing, the harlequin became a personal symbol for Picasso.

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